Diva’s Weekly Challenge 128: Two Pencil String

This was fun and a great way to use those patterns that work in long, narrow spaces. I had two mechanical pencils and adjusted the leads so that they would be of similar length. Then I held them together, put them perpendicular to the surface so that both leads touched the paper, and drew! I too had to make minor adjustments, but it was easy to do. I then went to my handy-dandy self-customized pattern guide and searched through my page of border-like patterns. I ended up changing a lot of patterns around, mostly to cover up errors ( :- /  ,  but in the end, I enjoyed the creation, and I am happy with the result!

I have included a couple of Zentangles that I did but never uploaded as my poor kitty Sam died suddenly and unexpectedly, and I was too sad to do much. I think Coaster by Carole Ohl is one of my favorites. Others that I can remember are Facets by Nancy Pinke, and Boomerangs by  Teresa Clerc. Mumsy by Sandy Bartholomew is at the bottom right, Aura-Leah version by Carla du Preez at the top right, Japonica by Sandra Strait, and official Zentangle® patterns, Mooka, Eke,  and Pane.

(clicking on photos will enlarge them.)

Here is my Cirquital / Opus. Working on this helped me deal with all the anxiety and worry I was going through at the time.

Here is my template Zentangle featuring Footlites by Carole Ohl. I colored it with fine point markers.

For more information about weekly challenges see IAmtheDivaCZT.Blogspot.com  and for Zentangle® information see my link , Zentangle® News.

My Newest Zentangles and ZIAs

I have been busy!  I purchased and downloaded the  2013 Edition  Tangle Guide from Tanglepatterns.com

and printed out the pages, cut out the patterns, and glued them all into my Tangle Guide sketchbook. Why would I do that, you ask?  Well, I like to look for patterns according to the type of pattern they are, and alphabetically arranged patterns are not very helpful. So, first of all, I separated Official Zentangle Patterns from all the rest, and arranged them according to type— Grids, Checkerboard type, Spheres, circles, stripes, mazes, concentric, diamonds, triangles, plant-like, etc.  I just went through and started putting them into piles with similar characteristics.  Then I glued them onto pages. Then I did the same with the unofficial patterns. Took a couple of days, but now that it is done, I have a great reference for my patterns! I did make sure that I included the designers’ names with each pattern so that I can refer to them.

Anyway, with that in place, I went through picking a few patterns that I had not used, and began creating Zentangles. Here are a few:

This one I call “Windoz”. I worked with Pane, which I love for its open look, and Pea Nuckle,  Diva Dance, and Striping or Bongo, it’s kinda both… Hazen  is the window-looking one that I rounded the corners to, and added the straps/ties to. Hazen is challenging to me, so I am going to keep using it until I get the hang of it. I decided to fill the “panes” of Hazen with the very organic looking Poke Root. Poke Root is one of the best filler-tangles out there! I LOVE Poke Root!

This one I call “Carpetz”, using my own grid pattern, Spyz. I have used  Jute a lot, because as yet, I have not been able to do it accurately! I also love using  Pepper and  Jetties  as fillers.

This one I call “Assuntaz” . I saw the “scrolly” version of Assunta,on the left, on a Pinterest post of tangle designs by “Tangledlady.” She does beautiful work. The other Assunta, on the right, is my own tangelation. I filled the open space in the middle with floral type patterns. I love Henna Drum by Jane MacKugler.

This Zentangle was done on a 4-1/2 inch square card designed for the Letterpress system (Lifestylecrafts.com). It is a thick paper very similar in texture to the Tiepolo paper used for Official Zentangle tiles. This tile features Courant at the top, then Eke, Ahh, combinations of  Striping & Shattuck, Yincut & Orlique, and the bottom is filled with different patterns and tangleations such as Verdigogh, Chainging, Poke Root and Poke Leaf, Tagh, Ynix, Locar, Squid, Tidings, Flux, Mysteria, Sedgling, Springkle, and Floo. Whew!!!

Zentangles on Different Papers

Today I worked on two ATC’s from Canson MiTientes Pastel 98lb papers. One is on an ochre colored paper, and the other on a light brown. I used a Pigma Micron 005 black pen and a #2 pencil for shading, but on the colored papers I needed to add highlights, and that was done with a Conte white pencil. I really enjoyed working on the smaller ATC size.I also created my first Zentangle on the 140lb printmaking paper “Tiepolo” by Fabriano paper makers. I cut the paper into 3 1/2 in squares, the standard Zentangle size. It is a lovely paper to work with.  It has a smooth, but slightly textured surface. Again,I used my Pigma Micron 005 black pen, which I prefer to the 01 for its finer line. I used the #2 pencil and a blending stump to create shading. This work contains the tangles “Squid”, “Ynix” and “Pepper”. I embellished it with “Fescue” and “Locar”, and a tangle of my own that I call “Chicken Tracks”.

Zentangles

The Zentangle® art form and method was created by Rick Roberts and Maria Thomas and is copyrighted. Zentangle® is a registered trademark of Zentangle, Inc. Learn more at zentangle.com.

I have recently discovered the art of Zentangle, which I find fascinating!

The Zentangle art form is very much related to the way I draw already, and so it feels natural to me. I love exploring the patterns, and I love the small format. I also love the possibilities that Zentangle Inspired Art (“ZIAs”) present.  Once I get the hang of working with the different patterns, I will start adding Zentangle influences to other works of art and with different media. I am very excited about this!

Zentangle.com is the best place to start. I bought a book called “One Zentangle A Day” by Certified Zentangle Teacher ( CZT) Beckah Krahula . I highly recommend this book as a place to start your Zentangle journey.

I did find an error in her book concerning the paper that is used for the “official” Zentangle tiles.  She writes that the paper is Fabriano Tiepolo, 240 lb weight printmaking paper. After doing a lot of searching through art supply websites, I finally went to the Fabriano paper making website, and discovered that their Tiepolo only comes in 140lb weight. I’m guessing this is a typo on Beckah’s part. The paper can be purchased from Art Supply Warehouse at $5,80 per sheet if you buy 5 sheets. They continue to discount the price as you buy more sheets. I bought 5 sheets and paid about $8.00 S&H. When the paper arrived, I cut one of the sheets into the official 3.5 sq inch size, and got about 50 tiles. Official pre-cut Zentangle tiles come 55 to a pack for $29.00 plus S&H.  Zentangle tiles have their logo on the back, and two lines that are used to sign and date the tile. I don’t mind not having a logo, and I can draw the lines myself, as Beckah indicates in her book.

. These are examples of what I have worked on at this point. The first two are done with a white Gelly Roll pen by Sakura on Strathmore 400 series Gray Scale paper at 80lb. The first is on black, and the second on a dark gray. The paper has a textured surface. The third is an exercise from my notebook done with a  Sakura MICRON 005 black pen.